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Philosophical anthropology --- Cognitive psychology --- Theory of knowledge

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Intention was seen traditionally as a philosophical concept, before being debated more recently from psychological and social perspectives. Today the cognitive sciences approach intention empirically, at the level of its underlying mechanisms. This naturalization of intention makes it more concrete and graspable by empirical sciences. This volume offers an interdisciplinary integration of current research on intentional processes naturalized through action, drawing on the theoretical and empirical approaches of cognitive neuroscience, psychology, philosophy, and sociology. Each chapter integrates several disciplinary perspectives. Taken together, the chapters show that the reunification of the different dimensions of intentional processes may constitute an adequate basis for a general model of intentional processes and their links to action. This can be applied at various levels, from neuronal activity to self-constitution, from the expression of intentional actions at the individual level to their expression in social contexts, and to the recognition of intention in actions executed by others. ContributorsColin Allen, Mireille Bonnard, Vittorio Gallese, Jozina B. de Graaf, Franck Grammont, Patrick Haggard, Marco Iacoboni, Dorothée Legrand, Pierre Livet, Albert Ogien, Jean Pailhous, Jean-Luc Petit, Jean-Michel Roy, Jessica A. Sommerville, Manos Tsakiris, Amanda L. Woodward.

Philosophical anthropology --- Theory of knowledge --- Affective and dynamic functions --- Cognition --- Intention

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Immaterialismus. --- Object (Philosophy). --- Ontologie. --- Social sciences --- Sociology. --- Philosophy. --- Sociological theories --- Theory of knowledge

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- Narrative and narration : some rudiments##- Le grand imagier steps out : on the primitive basis of film narration##- The imagined seeing thesis##- Le grand imagier in review##- Elusive narrators in literature##- Elusive narrators in film##- Transparency and twist in narrative fiction film##- Transfiguration and self-conscious narration : on Von Sternberg's last films with Dietrich##- Love and bullshit in Santa Rosa : pastiche in The man who wasn't there.

Film --- Theory of knowledge --- Philosophie et cinéma --- Cinéma --- Narration --- Motion pictures --- Motion picture audiences. --- Narration (Rhetoric) --- Esthétique --- Publics --- Philosophy. --- Aesthetics. --- Narration. --- Philosophie et cinéma. --- Esthétique. --- Publics.

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Vision. --- Visual Perception --- Philosophical anthropology --- Theory of knowledge --- Vision --- Visual perception --- Optics, Psychological --- Eyesight --- Seeing --- Sight --- Psychological aspects --- Perception --- Visual discrimination --- Senses and sensation --- Blindfolds --- Eye --- Physiological optics